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Theory
The Cosmology of Imaginary Space by Tom Butler
Abstract A way of thinking about the organization of reality is proposed as an alternative to "vibration" as a description for relative spiritual maturity, "higher" or "lower" for a way to differentiate between the physical and the etheric and "planes of existence" seen as a "layer-cake" hierarchy of heavens. This model uses the imaginary space of the Mandelbrot Set to illustrate this alternative view. This "space" contains an infinite number of fractal and navigation amongst them is accomplished by changing beginning parameters of a simple equation. The objective is to show that changing Self's point of view (beginning parameters) can be seen as a way to "navigating" reality.
Introduction Each system of belief has had a cosmology describing the relationship of what is considered "here" with where God and Heaven is thought to be. Most have shown reality as a series of layers, with the "here" on the bottom and "God on the top. The difference between the various layers is usually described as a difference in vibration or granularity, and travel from one layer to the other is described in terms of "going there," or "being over there" or "the other side." Lacking a better set of terms, these words are useful for conversation so long as it is understood that they are just metaphors for what the Spiritualists refer to as "different atmospheres and awareneses."
Based on lessons being learned from current study in transcommunication, it is becoming clear that the greater reality is basically a conceptual, subjective space and that the physical aspect of reality is a subset, differentiated to provide a more concrete, objective venue for experience. Based on the Survival Hypothesis, Self (a personality, being or coherent point of view which survives beyond an individual lifetime) is able to associate with an aspect of reality only if it is energetically in agreement with it. This energetic agreement is thought to be a function of how well the individual Self has learned to understand the operation of reality and function in accordance with those principles. This understanding is referred to as spiritual maturity which is gained through experience and understanding the operation of reality as it applies to that experience. Thus, the result of gaining understanding is a change in worldview, which amounts to a change in the energetic nature of Self.
The idea of moving about in reality by changing one's point of view is consistent with many popularly held notions that how one experiences something is as much a function of how one thinks of the experience as how the experience actually effects the physical adperson. For instance, a city might be seen as a "hell-hole" to a person raised in the country but considered "home-sweet-home" to a person raised in that city. In is in this way that we make our reality. We do not create a separate physical aspect of reality because we inhabit a group reality. We make a separate personal reality by how we perceive the physical reality.
Imaginary Space An important feature of chaos theory is what mathematicians refer to as an attractor. This is a mathematical area or point on a plot that is the focus for a large percentage of the plotted points representing numbers that satisfy some mathematical test. You can think of the attractor as a loci around which the results tend to gather.
A plot is a picture made by repeatedly testing points in the complex number plane to see how quickly the result will go to infinity (or become very large). The plots in the examples shown here are formed by assigning a color value to the point being tested, depending on how stable it is in the calculation. A degree of order tends to emerge as the range of possible numbers, X and Y are tested and plotted. The most popular example of this is the plot derived from what is commonly called, the Mandelbrot Set, named after the mathematician, Benoît Mandelbrot. The Mandelbrot Set itself, is only one of a group of numbers known as the Julia Set, which was documented by Gaston Julia. Figure 1 is a plot of the Mandelbrot Set made with the Black Saturn Mandelbrot Set Explorer. Formation of the Apple Man Fractal
Figure 1 In the virtual reality of the Mandelbrot Set, "movement" is accomplished by changing the initial parameters of a simple equation, which is then calculated, and the results used as the new parameters. The equation is calculated again, and once again, the result is used as the variable for the next calculation, and so on for a predetermined number of iterations. The result either goes to infinity or settles in a narrow range of numbers. The results of the final iteration is an imaginary number and a real number. This results in a point in three-dimensional space bounded by the real number plain (X, Y) and the imaginary number plain (Z, i) with a range if +/- 2 to zero.
The Apple Man Fractal as a Parable for the etheric cosmology.
A seemingly endless amount of information can be derived from a simple formula, Zn+1 = Zn2 + C. This alone may be the most important point. An idea can often produce very complex results, or inversely, a very complex system may be based on a simple idea. Any cosmology that describes a conceptual reality should be simple if it is to allow a large number of results. Interestingly, those results may be unique depending on how the simple idea has been applied, but they are always constrained by the rules governing the operation 0of the simple idea.
In the Standard Cosmology, individual Selves have self-determination, but that self-determination is constrained by the rules governing the operation of available energy, and those rules are based on the worldview of the source of that energy. In this way, we can do as we wish, but we cannot violate local natural principles and our decisions are biased by a sort of imperative we inherit from our creator entity.
Relevant characteristics of fractal geometry:
Trying to find meaning in the idea of imaginary space and Fractal Geometry. There are two views to be taken of this hypothesis:
Formative view: The cosmology from the perspective of energy view is about the fundamental makeup of reality and the processes of formation. Developmental view: The way in which we experience reality.
The Formative View:
Developmental View:
Closing Comments A cosmology is just a hypothesis, and as such, is a working model that requires continued testing and reformulating based on current evidence. In effect, I am proposing the "Imaginary Space" cosmology as a refinement of the layer cake models one sees in some of the systems of belief. Terms such as "plane" and "vibration" remain useful metaphors, but they are too often taken literally--as I am sure some people take Imaginary Space literally despite my cautions to the contrary. I am not sufficiently insightful to know what descriptive terms might come from this cosmology. I like "loci of reality" rather than "plane," "aspect" and "Self" rather than "Soul" and "energetic agreement" rather than "same vibration."
It will be interesting if you contemplate this cosmology for a time and see how it fits your understanding of things etheric. Perhaps after you have tried it on for a while, you can offer an alternative or modifications to this one. One litmus test to any theory that is intended to describe the relationship of Self to reality is the distinction between physical body and Self. There is way more evidence that Self is an etheric being that is in a symbiotic relationship with the physical body. There is no real proof that Self does has a biological origin, and any theory that proposes otherwise has probably ignored the evidence
In this section, I briefly address the math of set theory. It is only necessary to spend time in this section if you whish to understand the details of fractal and set theory.
Calculating the Mandelbrot Set The Mandelbrot Set is represented by the nonlinear mathematical formula: Zn+1 = Zn2 + C where both Z and C are complex numbers (x + yi). The complex plane is represented as aplane bounded by X and Y as shown in Figure 2. The formula is calculated by selecting a value from the complex plane for C so that C = x+yi, to be used as a constant, and letting Z be a variable. After each iteration (calculation of the equation), the resulting complex number is substituted for Z and the calculation is repeated with C held constant. The usual way that the results are illustrated are shown in Figure 1, in which the changes in color are indicative of the number of times the calculation can be iterated before the resulting answer exceeds a predetermined limit--usually approaching infinity. Thus: Z begins at zero and C is the complex number (x+yi) being tested. So to begin an iterative process for this formula, substitute 0 for Z to get 02 + C = C. Take the result, C, and add it to the original value of Z to get (O + C)2 + C = C2 + C, then repeat by substituting C2 + C for Z and on until your threshold is reached or until enough iterations have been made to determine that the selected number for C is not likely to go to infinity. Then, the next number for C is selected and the process is repeated to produce the next point in the plot. This sequence is repeated until all of the numbers, x + yi, in the target area of the complex plane have been tested.
In Figure 2, -2.0 X is at the left, +1.0 X is at the right, -1.5Y at the top and +1.5 Y at the bottom. The two arrows in the middle point to 0 + 0i. For our purposes, the point of the Apple Man fractal is that calculations using numbers from the black area can be iterated an infinite number of times and the result will never go to a "large" number. However, beyond the rather definite boundary of the fractal, the numbers will take the calculation to infinity with decreasingly fewer and fewer iterations. Thus the fractal (the Apple Man) is an attractor toward which points become more stable.
An excellent, simple explanation of how the set is calculated is Introduction to the Mandelbrot Set, A guide for people with little math experience. by David Dewey. See also, (almost) the Mother of All Fractals: The Mandelbrot Set for a fascinating exploration of its features.
The New Cabala--The Mandelbrot Set An important feature of chaos theory is what mathematicians refer to as an attractor. This is a mathematical area or point on a plot that is the focus for a large percentage of the plotted points representing numbers that satisfy some mathematical test. You can think of the attractor as a loci around which the results tend to gather.
A plot is a picture made by repeatedly testing points in the complex number plane to see how quickly the result will go to infinity (or become very large). The plots in the examples shown here are formed by assigning a color value to the point being tested, depending on how stable it is in the calculation. A degree of order tends to emerge as the range of possible numbers, X and Y are tested and plotted. The most popular example of this is the plot derived from what is commonly called, the Mandelbrot Set, named after the mathematician, Benoît Mandelbrot. The Mandelbrot Set itself, is only one of a group of numbers known as the Julia Set, which was documented by Gaston Julia. Figure 1 is a plot of the Mandelbrot Set made with the Black Saturn Mandelbrot Set Explorer.
Fractals In chaos theory, a fractal is a mathematically determined shape that can be infinitely divided with each part having the same shape as the whole. A simple example of this is illustrated in Figure 3. To derive the triangle, three points numbered on through three are selected to form an equilateral triangle if they were connected. Then, a number from one to three is randomly selected and a dot is place at the appropriate point of the triangle. After that, repeatedly select a random number from one to three and calculate half the distance from the last dot toward the point of the triangle associated with the selected number. For example, the first number was a three and a dot was placed at the third point of the triangle. The next number was a two and a dot was placed half the distance between the third point of the triangle and the second point. The next number was a one and a dot was placed half the distance from the last dot toward the first point of the triangle. Using a computer, this process was repeated thousands of times resulting in the plot shown in Figure 3. What you see are triangles within triangles--by definition, fractals. A low resolution process was used for the example, but had a higher resolution been used, and/or had the display been of a higher resolution, the plot would have shown more levels of smaller triangles since each triangle is actually shaped from three smaller triangles which are, in turn, shaped from three triangles and on, and on. The three triangle fractal is called a Sierpinski Triangle after the mathematician Waclaws Sierpinski who first defined it in 1916.
Figure 3
The objective here is to introduce the concept of boundaries, fractals, and the use of simple instructions to convey complex systems of information. All of these features are present in nonlinear equations, but mathematicians are finding that simple linear processes can also produce fractals and very complicated systems of information, as is illustrated in the Sierpinski Triangles.
The Mandelbrot Set also contains fractals, but on a much more complicated scale. Figure 4 illustrates how the virtual world of the Mandelbrot Set can be viewed, as if with a microscope. It is possible to select a specific area of the complex plane and expand the image to see more detail. What you see is part of the “V” shaped curving section at the top of the large cardioid shape in Figure 1. The large black area is the stable region of numbers that can be used in the formula, Zn+1 = Zn2 + C and that will not take the result out of range even after a very large number of calculations (200 for each point in this case). The bands of color represents groups of complex numbers that take the calculation to infinity, faster and faster, as you move away from the black area. In a bigger computer, this would be shown as a gradual shading, from left to right, and not as abrupt divisions as is shown here. The fringe between the large black area and the color pattern is a range of complex numbers that approach infinity very slowly and represent the boundary between stability and chaos (infinity). It is in this thin boundary that the wonders of the Mandelbrot Set unfolds.
Figure 4
Traversing Imaginary Space The boundary area can be magnified even more as is shown in Figure 5. The area shown is from the bottom-left of the larger circle of black. You can see that the same Apple Man shape is beginning to appear all along the boundary. The apple man shape is usually the same but not always identical with that seen in Figure 1. You can see an example of a highly distorted apple man shape in Figure 6, found at the far right of Figure 1 and considerably magnified. Some of the black areas are of other but often repeated shapes, but I think they all qualify as fractals.
Figure
5
Figure 6 As a reference, for the point where the spine intersects the left side of the picture,
X = 0.4242606570763012 and Y =
0.3412283517941925
If these plots are considered contour maps with the vertical axis representing number of iterations of the equation for each point, then the large black area of stability might represent a very high plateau, and pattern of colors might represent some distance down a very long slope. As the boundary is approached, the lines would begin to get closer and closer together. The numbers represented here would eventually take the calculation to infinity, but only after more and more iterations. As is illustrated in Figure 6, the contour lines continue to get closer to the black in a fashion known as "asymptotic," meaning that the distance between them approaches zero, but that it will not become zero before they reach infinity--they never actually reach zero. Here and there in this well of infinity are other islands of stable numbers that might look like sharp, flat-topped spires reaching up from the sides of the descending curves. They are flat toped only because of our method of representing them. In reality, they will apparently continue to infinity.
Figure 7
The top of the black area on the left represents the Apple Man. The curve represents how many iterations can be applied to the Mandelbrot Set before the result will go to infinity. This figure is an approximate illustration of what is occurring near the boundary between the stable set of Mandelbrot numbers and the unstable numbers outside of the set.
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